Rue Morgue

March 2, 2009 by Joshua Hoffine

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Last month, my work was featured in a Swedish lifestyle magazine called Cafe, a kind of Swedish version of GQ or Esquire. This month, my work is being featured in Rue Morgue, arguably the greatest Horror magazine in the world. The article about my work is titled THE GIANT SPIDER, THE CANDYMAKER, AND THE WOLF WITH HANDS, and was written by the editor-in-chief herself, Jovanka Vuckovic.

Also, I will be visiting the Fangoria convention in Chicago next weekend. I will be hustling my new line of jewelry with the Strychnine Sisters. I will also have a few prints for sale hidden under the table. If you are a fan of my work and live in the Chicago area, come visit me.

Shortly after returning home, I will release my latest Horror photograph. It is called SNAKE. If you are afraid of snakes, this one is for you!

New $20 Print For March

March 1, 2009 by Joshua Hoffine

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For the month of March, I am offering a $20 print of BALLOONS on my website.  

My daughter Chloe is playing the part of the unwary little girl. Chloe’s grandmother is playing the clown.

Later this spring, I am shooting a sequel to this image called FRONT DOOR. Scary clowns, baby.

Jason Coale

February 26, 2009 by Joshua Hoffine

There is a wonderful article today in the Kansas City Star about my good friend Jason Coale. Jason has been collaborating with me on my projects for years, and is now the most active and sought-after scenic designer in Kansas City.

I met Jason during my first commercial job for the rapper Tech N9ne. I hired Jason to make the set for the “controversial” cover that was never used. (If you’ve been reading my blog for awhile, you’ll know what I’m talking about). At that time, he was still earning his Masters degree at the UMKC theater department. He put himself through school as an undergraduate working as a magician. On the set of Tech N9ne’s photo shoot, Jason performed magic tricks for the crew and entourage. He was a big hit.

Jason has a very cool personality. You can’t help but like Jason. I quickly made him a part of my clan. We spent a summer living as roommates in a decrepit house on the edge of Westport. We spent most of our nights drinking beer and watching old VHS tapes about magic tricks.

Jason has helped me out on several of my projects. He built the amazing set for HANDS. He also helped me with the set for ISOLATION, as well as DEVIL. The set for DEVIL, like the set for HANDS, was built with a raised floor so that people could fit underneath.

During our summer as roommates we also spent a lot of time experimenting with special effects make-up. Jason helped me with the make-up on my film BLACK LULLABY, he created the skin-less mask in FACE, and did all of the make-up for DEVIL.

He will also be the chief collaborator on my upcoming project THE GRAND GUIGNOL.

To learn more about Jason Coale the superstar, check out today’s article in The Kansas City Star.

Exit Magazine

February 19, 2009 by Joshua Hoffine

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This month my work is featured in Exit Magazine, an amazing art publication from Madrid, Spain.  The theme for this issue was “Once Upon a Time…”  My photographs are alongside the works of such artists as Julia Margaret Cameron, Lewis Carroll, Anthony Goicolea, Yeondoo Jung, Annie Leibovitz, Cindy Sherman, and Miwa Yanagi.

Miwa Yanagi is one of my favorite contemporary photographers.  Her latest body of work is called FAIRY TALES.  This series deals with the relationships between young girls and older women.   She chooses famous children’s stories, such as Rapunzel and Snow White,  stories in which the central characters are either young or old, then reinvents the story by confusing the distinctions.  Both roles are played by adolescent girls, but the older character wears the mask of an old hag.  You almost get the sense of children playing dress up. The images in this series were all shot in black and white.  I love her sets and the styling is marvelous.  Here is one of my favorites:

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Lithuanian Playboy

February 11, 2009 by Joshua Hoffine

Ukrainian Playboy recently published an article about me and my work. This month, a similar article is being published in Lithuanian Playboy.  In comparison to the American version, these magazines are relatively chaste, light on nudie pics and heavy on art.  Now, of course, I’m hoping to be published in every foreign Playboy there is.

$20 Prints

January 30, 2009 by Joshua Hoffine

I want to thank everyone for the tremendous response to the jewelry I am now making with the Strychnine Sisters!

I have taken the necklaces off of my website, but have added a link in my menu to my new storefront on Etsy, a website that specializes in vintage and handmade goods. As part of the switchover, I have added one more new necklace based on an obscure photograph of mine called HARVEST.

harvestnecklaceAlso, starting in February, I am going to be offering one image per month as an 8.5″x11″ print for $20.  I will be using the same heavyweight fiber-based paper I use for my limited edition prints, and each will be signed and dated on the back. The first image to be made available through this project will be GAS MASK CHILD.  I know a lot of you have written to me asking why I don’t have that particular image available for purchase through my website.  Well now, only during the month of February, and for the ridiculously low price of $20, you can own a signed original print of GAS MASK CHILD.  At the end of February I will announce the next $20 print to be available in March.  If you love my work, but don’t have a lot of extra money to invest in original art, this is definitely the way to go!

 

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Strychnine Sisters Jewelry

January 22, 2009 by Joshua Hoffine

I am close friends with the Strychnine Sisters.  I met them at ScareFest in Lexington Kentucky last September.  They make ultra-hip custom jewelry.  I am still hopelessly smitten with Strychnine Jen.  They have created a new line of necklaces incorporating my imagery and they look amazing. Now, not only can you own my work, you can wear my work!  I’m so proud of what they’ve done, that for a limited time I’m going to be offering these on my own website.  Undoubtedly, this is what all the cool kids will be wearing this year.  Each pendant is nearly 2 inches wide, and sells for only $25.  For U.S. orders, shipping is even included.    You can buy them through my website using PayPal.  Or if you’d prefer to use a credit card, just send me an email and we can do it that way too.

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Victor Miller

January 20, 2009 by Joshua Hoffine

One of my biggest supporters is Victor Miller, author of the original FRIDAY THE 13th.  He is the proud owner of two of my photographs. He started off his recent interview with the horror radio program Without Your Head talking about my work, and relating his character of Mrs.Voorhees to the Jungian Archetype of the Terrible Mother.  He also discusses the influence of HALLOWEEN on the creation of his screenplay, as well as his thoughts on the upcoming FRIDAY THE 13th remake.  You can check out his entire interview at the Without Your Head website.

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Archetypes of the Unconscious

January 13, 2009 by Joshua Hoffine

Carl Jung (1875-1961) was a Swiss psychiatrist, a contemporary of Sigmund Freud, and the founder of Analytic Psychology.  His most notable ideas include the concept of psychological Archetypes, and the Collective Unconscious.  These ideas serve as a foundational basis for my own understanding of Horror.

I believe that most of our fears reside in the Unconscious.

In the Jungian psychological model, the waking conscious mind is termed the Ego.  Below the Ego, below the Threshold of Consciousness, is the Unconscious mind.  The Unconscious mind is comprised of two parts: the Personal Unconscious, or Shadow Self, and the Collective Unconscious, which can be described as the wisdom consciousness of the body itself.  All contents of the Personal Unconscious are derived from personal experience.  The Personal Unconscious is that about yourself of which your Ego is completely unaware, of which it has no knowledge whatsoever.  This Shadow Self, in Jung’s terminology, corresponds almost precisely to the Freudian Unconscious.  The Freudian Unconscious is comprised of repressed experiences, repressed shocks that the infant, and later, the growing child has experienced.  The psyche puts these things so far out of sight that our waking consciousness is completely unaware of them. The shocks that have upset and transformed the life experience of one individual will not be precisely the same as those of another.

However, Jung suggests that the Personal Unconscious is not the deepest layer.  There is another layer to our Unconscious, which Jung calls the Collective Unconscious.  This aspect of the Unconscious does not derive from personal experience.  Rather, it contains impersonal components in the form of inherited categories that are manifested and recognized by all people in all cultures.  Jung refers to these categories of the Collective Unconscious as Archetypes of the Unconscious.  An Archetype is a generic collective image that we all share.  According to Jung, the Collective Unconscious is comprised of these Archetypes of The Unconscious.  These are, in some way, perennial features in the Unconscious mind of the human animal – an inheritable memory comprised of collective human experiences reaching back into prehistory.  Experiences that come in through the nervous system are assimilated and interpreted in terms of these basic psychological Archetypes.  It is the role of the Ego to try and make sense of the relationship between the conditions of the external environment and the invisible interpretive nature of the Unconscious. The Collective Unconscious is a function of the biology of the body.  It is the bedrock upon which the Personal Unconscious rests.

So we have two things here – a basic human biology, and also a system of individual experiences.  Both are located in the Unconscious realm, as far as our Ego knowledge is concerned.  Carl Jung thought it of paramount importance to make contact with the Unconscious by examining the content of dreams, fantasies, and artistic expression. According to Jung, the Ego gains knowledge of the Unconscious by way of Projections. Jung defined a Projection as an objectified representation of the contents of the Unconscious. A Projection enables a subject to apprehend and potentially recognize aspects of the psyche that are still unconscious. You really don’t know what’s going on down there until you experience it by way of a Projection.

Horror, as an art form, draws it’s power from the Unconscious.

Horror is a Projection of the fears that lay hidden in the Unconscious.

I make photographs that illustrate childhood fears.  If the Shadow Self is the rejected frightening aspect of our personal experience, then when a viewer is frightened by one of my images, it is because the image has allowed the viewer to experience a Projection from their Shadow Self, their own Personal Unconscious.  They are remembering something that they used to be frightened of, but had forgotten about.  They are re-experiencing a fear that has been repressed since childhood.

However, I believe that the fear they are re-experiencing originates from the biological Collective Unconscious.  Our fears as children are primal in nature.  Fear of the dark, fear of lurking danger, fear of being eaten.  I regard my photographs as culturally inflected variations on primal fears that arise from our biological Collective Unconscious.  I just use the mechanism of the Shadow Self to bring it all back to you.  No need to thank me.  It’s my pleasure.

Fangoria

December 16, 2008 by Joshua Hoffine

A short article about my work was recently published on the Fangoria website.  I just want to thank the author Jack Bennett again for taking the time to talk with me.