What is Horror?

The Horror genre is a vast sprawling landscape, populated by numerous sub-genres and hybridized genre mutants, like the Horror-Comedy, Sci-Fi Horror, and even the Horror Musical.  Some would argue that it is impossible to devise a definition of Horror that encapsulates them all.  What is the difference between a Horror film and a Thriller?  Or a Horror film and a Suspense film?  Does a movie require a monster, or a supernatural element to qualify as Horror?

Dictionary.com defines Horror as “an overwhelming and painful feeling caused by something frightfully shocking, terrifying, or revolting.”

The Horror genre seeks to elicit this negative emotional reaction from viewers.  Stock elements, such as ghosts, vampires, serial killers, and so forth, may populate the Horror genre, but they do not define it. Movies about the supernatural, and movies with monsters, are not necessarily always horrific.  I believe that the Horror genre is best defined by it’s intent to terrorize the audience.

Although many sequences in non-Horror films are frightening, they do so to advance narrative agendas that have something other than fear at their cores.  Non-Horror films may frighten the audience to tell their stories, but Horror films tell stories to frighten the audience.  In the former, fear is a side effect; in the latter, it is the object of the exercise.


One Response to “What is Horror?”

  1. silver price Says:

    The same is true of Se7en, which gained a similar critical reception and is often not referred to as a horror film. For many viewers there is an association with horror films and bad films, it is an association created by the low budgeted B-movies, hammer horror, and the slasher films. These subgenres of horror are all films where developed scripts and talented actors are often low down on the producer’s list of priorities. Most horror films promote themselves on their vicariously thrilling nature, or possibly titillation, not on masterful performances or original direction. Take this years Horror films for example, for every excellent character based horror film like Juan Antonio Bayona’s The Orphanage, we also have to endure a half dozen idiotic slasher movies like Nelson McCormick’s Prom Night remake, or Jessica Alba starring remake of The Eye, or the sequel to the spin off Alien Verses Predator, Alien Verses Predator 2: Requiem.

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